Category: Photography

  • Visiting the Baikonur Cosmodrome with Roscosmos

    Visiting the Baikonur Cosmodrome with Roscosmos

    Thanks to management at Roscosmos for providing incredibly access to me and team to the facilities at Baikonur Cosmodrome, and for hosting us during our short stay in June, 2019.

    The Legacy of Baikonur Cosmodrome: Gateway to the Cosmos

    At the heart of human space exploration lies the Baikonur Cosmodrome, a place of both historical importance and technological marvel. Since its inception, Baikonur has been synonymous with milestones in space travel and a symbol of the progress yielded by international cooperation.

    Historical Significance

    The Baikonur Cosmodrome holds a prestigious place in space exploration history. It is the world’s first and largest operational space launch facility, situated in Kazakhstan, but leased by Russia. It was from Baikonur that humanity first reached into space, launching both the first satellite, Sputnik, and the first human, Yuri Gagarin, into orbit.

    This launch site, originally constructed in secrecy, quickly became the grounding point for Soviet space achievement during the space race of the Cold War era. It has served as the originating point for many pioneering missions, including the first planetary exploration endeavors that eventually led to the triumphs of space-faring programs from countries around the globe. The historical tapestry of Baikonur includes countless contributions to our understanding and exploration of space.

    Technological Prowess

    Technologically, Baikonur Cosmodrome is an emblem of human ingenuity. The facility encompasses multiple launch complexes for a variety of vehicles, supporting an array of missions from satellite deployment to interplanetary exploration. It is the birthplace of technologies that have pushed the bounds of what is possible, fostering innovations like the Soyuz spacecraft, which is widely regarded for its reliability and endurance, having been updated continuously since its first flight in 1966.

    Furthermore, Baikonur played a significant role in the construction of the International Space Station (ISS), serving as the starting point for numerous modules and countless supply missions. The cosmodrome has also been a rallying point for international cooperation in space. Following the dissolution of the Soviet Union, the Russian space program has worked closely with international partners, such as NASA and the European Space Agency, to continue scientific exploration and maintain a human presence on the ISS.

    A Testament to International Cooperation

    Baikonur’s importance transcends the technological; it is a tangible testament to international cooperation. Space exploration, once a competition between rival superpowers, has evolved into a collaborative effort where the international community comes together in the spirit of discovery. Baikonur has been a steady platform for these partnerships, hastening the exchange of ideas, and fostering goodwill among nations.

    The collaboration at Baikonur Cosmodrome remarkably reflects the bigger picture of space exploration—as a human endeavor that transcends boundaries, unites diverse people behind common goals, and constantly reminds us of the wonders beyond our world that await our collective curiosity and courage.

    Its place in history, the science launched from its platforms, and the international efforts it encourages make Baikonur Cosmodrome not just a site of past triumphs, but a beacon for future endeavors, a living testament to what humanity can achieve when united by a shared vision of reaching for the stars.

  • The NASA Handheld Universal Lunar Camera (HULC) will be a modded Nikon Z9

    The NASA Handheld Universal Lunar Camera (HULC) will be a modded Nikon Z9

    This week, NASA signed a Space Act agreement with Nikon to develop the next generation of camera for use on the surface of the moon, dubbed the “Handheld Universal Lunar Camera” (HULC). A few interesting notes from the announcement of the new camera, which will be based on the existing Nikon Z9 flagship:

    • It’s a mirrorless camera – no moving mirror to get clogged with regolith, or any unnecessary moving parts.
    • The sensor is likely to be either the same sensor in the existing Nikon Z9, a Sony IMX609AQJ Full Frame 45.7 MP Stacked Back-Illuminated CMOS Image Sensor, which does not have a “global shutter” feature, and does have “rolling shutter” on video, even with the Z9’s very fast 1/270 sensor readout speed. This is arguably best-in-class for eliminating rolling shutter, short of a global shutter. However, given the 2026 readyness date, I’m eager to see if they update the sensor to one with a global shutter instead.
    • They’ll be radiation-hardening the electronic components for use in space and on the moon. I’ll be interested to see how very high resolution photography looks in a high radiation environment like the moon – even with the hardening.
    ESA astronaut Thomas Pesquet holding the HULC. Image Credit: ESA–A. Romeo

    It’s also worth remembering that the Apollo astronauts used the 70-mm Hasselblad Electric Camera on the surface of the moon – a very cool format and camera system that yielded amazing results. In researching this post, I came across this interesting NASA Apollo 11 Data Users’ Note, which notes the Apollo 11 Photographic Objectives:

    Apollo 11 represented man’s first opportunity to directly observe scientific phenomena on the lunar surface. Both the surface and orbital photography of the mission served not only to document man’s first lunar landing and the extravehicular activities of the astronauts, but also to identify scientific areas and experiments for study in future missions.

    The photographic equipment and materials carried by Apollo 11″were designed specifically:

    • (1) to photograph “targets of opportunity,” i.e., scientifically interesting sites, and potential Apollo landing sites as time and circumstances permitted;
    • (2) to obtain photographs of the lunar module and lunar surface activities after LM landing;
    • (3) to obtain vertical and oblique stereo strips of nearside and farside regions of scientific interest;
    • (4) to record mission operational activities; and
    • (5) to obtain documentation for subsequent landing crew training purposes.
    The camera equipment carried by Apollo 11 consisted of one 70-mm Hasselblad electric camera, two Hasselblad 70-mm lunar surface superwide-angle cameras, one Hasselblad EL data camera, two 16-mm Maurer data acquisition cameras, and one 35-mm lunar surface closeup stereoscopic camera.

    NASA’s Handheld Universal Lunar Camera and The Nikon Z9’s Role in Lunar Photography

    NASA’s latest venture into lunar exploration photography marks a significant leap forward in camera technology with their introduction of the Handheld Universal Lunar Camera (HULC). In partnership with Nikon, HULC is poised to be the successor to a long line of cameras that have captured the moon’s mystique. The camera draws its lineage from the celebrated Nikon Z9 flagship, forming the backbone of this space-oriented imaging device.

    Technical Specifications of the HULC

    Built upon the foundation of the Nikon Z9, the HULC brings to the fold the professionalism and high capabilities one expects from a flagship model—yet with noteworthy tweaks for its lunar mission. At the heart is a mirrorless system. Doing away with the moving mirror reduces the camera’s vulnerability to lunar dust, known as regolith, and minimizes mechanical complications in the harsh lunar environment.

    While the Nikon Z9 is already equipped with a high-caliber Sony IMX609AQJ Full Frame 45.7 MP Stacked Back-Illuminated CMOS Image Sensor, there’s speculation about whether this same sensor will make its way to the moon or if a new iteration with a global shutter will be implemented to completely eliminate rolling shutter effects—a common adversary in video recording.

    Surviving the Lunar Environment

    The lunar surface presents unique challenges—absence of atmosphere, extreme temperatures, and high radiation levels are some of the formidable foes that the HULC must withstand. To this end, radiation-hardening is central to the camera’s development, ensuring that the electronic components can withstand the high radiation levels found on the moon. This advancement not only protects the camera but also raises intriguing prospects about the quality of very high-resolution photography in such an environment.

    The Development Timeline

    Looking toward a readiness date in 2026, the timeline for the HULC’s development suggests a deliberate and meticulous approach. Given the evolving landscape of imaging technology, this period also allows for potential updates, such as an improved sensor with a global shutter, enhancing image fidelity for space applications.

    Challenges of Lunar Photography

    Photographing the moon’s surface brings a barrage of technical challenges that Earth-bound cameras seldom encounter:

    • Extreme Temperature Fluctuations: With no atmosphere to moderate temperatures, camera materials must be exceptionally resistant to prevent malfunction.
    • Radiation: Beyond the Earth’s protective magnetic field, heavy doses of cosmic rays can disrupt electronic systems.
    • Dust: The moon’s regolith is fine and pervasive, capable of infiltrating and impairing mechanical and electronic systems.
    • Lighting: The stark contrast between intense sunlight and deep shadows on the moon demands a dynamic range that can handle such extremes.

    Echoes of Apollo

    The HULC inevitably draws parallels to the legendary 70-mm Hasselblad Electric Camera used during the Apollo missions. It’s worth noting that these historic cameras faced similar challenges and their photographs have served both a scientific purpose and provided iconic images that have captivated humanity’s imagination.

    As the HULC prepares to follow the lineage set by its spacefaring predecessors, its design and capabilities promise to push the boundaries of what’s possible in extraterrestrial photography—capturing not just the stark beauty of the lunar landscape, but the spirit of human exploration and scientific curiosity.

  • Building Startups and Collaboration at the Innovation to Impact Forum, Jeddah, Saudi Arabia

    Building Startups and Collaboration at the Innovation to Impact Forum, Jeddah, Saudi Arabia

    This week I was honored to attend the Innovation to Impact for at King Abdullah University of Science and Technology, Thuwal, Jeddah, Saudi Arabia.

    Innovation to Impact is a one-day roundtable event that was hosted by King Abdulaziz City for Science and Technology (KACST), the General Authority for Small and Medium Enterprises (SMEA) and King Abdullah University of Science and Technology (KAUST), on May 19, 2017. The event in Thuwal, Saudi Arabia on the campus of KAUST, brought together academic institutions and private industry thought leaders from the United States and Saudi Arabia to discuss innovative academic and strategic commercial opportunities for both countries, in addition to new methods of collaboration and a deepened commitment to partnership.

  • Moderating Boulder Startup Week 2017’s Future Tech Photography 2.0 Panel

    Moderating Boulder Startup Week 2017’s Future Tech Photography 2.0 Panel

    Today I was honored to work with a great group of industry experts in moderating the Boulder Startup Week 2017 “Future Tech Photography 2.0” Panel at Riverside in Boulder, Colorado. We discussed a number of topics related to future media and photography. Thanks to photo experts Marc Morris, Ian Glass, Matt Treece and Kevin Owocki for being fun, articulate, expert, and brilliantly creative panelists.

     

    The first few minutes of our chat:

     

    A few of our talking points:

    Marc Morris – Tamron

    • Optics are the dark magic – Discussing Glass Tech
    • How to create quality mid-range glass?
    • Bridging gap from 360 and vr as novelty into true art?
    • Rectilinear is where its at still with photographic
    • Photography enhanced by extra sensors?
    • Lenses are the weak link in digital imaging

    Matt Treece

    • Long exposure light photography
    • UC for college – academic photography experience
    • Digital painting with 3D rendering on top of photography
    • Use of samsung galaxy camera – use google cardboard 360

    Ian Glass

    • Just got back from expedition in Antarctica
    • Getting to remote location and taking advantage of what’s there
    • The importance of packing
    • Can’t carry everything
    • Explore all the anglesAge of social media
    • Representation of reality, or representation of vision
    • Presenting what’s real in a beautiful way – VR
    • Empathy in film making brought by VR. Really puts you there
  • Exploring Brussels and Bruges, Belgium

    Exploring Brussels and Bruges, Belgium

    A few pics from a recent trip to explore Brussels and Bruges, Belgium.

  • Shooting Lightfield Photos with the Lytro Illum

    Shooting Lightfield Photos with the Lytro Illum

    71kJnHFEtML._SL1500_Last November, I had the privilege of testing out the Lytro Illum Lightfield Camera while exploring Cuba. Here’s my quick review of the innovative camera.

    The Lytro Illum takes photos using a specially developed lens and sensor that essentially captures all focal lengths and multiple angles of a scene simultaneously, and lets the photographer recompose and refocus a photo after it’s been shot. It’s an incredible new technology, and essentially adds a whole new element to the post-processing creative possibilities of digital photography. With traditional digital photography, exposure, color balance, and light levels can be tweaked and edited after the photo has been taken. Now with the Lytro Illum, focus is added to the creative possibilities.

    https://vimeo.com/102169690

    Shooting with the Illum

    71jh5FUww3L._SL1500_While the Illum was an interesting camera to shoot with, after snapping multi thousands of photos with it, and editing a countless number, I can say that it’s not really the best camera I’ve ever shot with. Sure, the perspective shift and focus shift features are really neat and enable more creative possibilities – but besides these neat tricks, the photos the camera makes is just not that great quality. When looking at just the flat photos it takes, I’m underwhelmed, and was constantly wishing I had my RX100m3 in my hand instead, to just take a great quality version of the same scene, even without the re-focusability. So I’m definitely a fan of the Lytro Illum for it’s extremely innovative new features and unlocking of new photographic realms. However, I don’t feel like these new capabilities really added anything substantial and long lasting to my photos, once the novelty of clicking around in the custom viewer wore off.

    Holding the Illum

    lytro_product_shots-8The Illum is a cool looking camera. It’s futuristic and sleep, representing an SLR from the far future. However, its actual physical functionality is extremely limited, compared with the functionality of a similarly sized and shaped standard DSLR camera, for example any Canon Digital SLR, from a Rebel on upwards. The buttons just weren’t as responsive as the could have been, the screen not as bright and clear as it could have been, and the touch screen interface is just not great. For in-the-field, from-the-hip shooting, you need to have your physical controls dialed in perfectly, easily adjustable, and to a point where there’s absolutely no time needing to be spent waiting or dealing with the interface. The Illum wasn’t there yet.

    The Illum is an interesting proof of concept camera, and a valiant effort to make it appealing the pro photogs. It was fun shooting with it and learning the quirks – but I’m still looking forward to the next advance.

    Shots from the Lytro Illum

    Exploring Cuba:

    The Fall 14ers – Grays and Torreys:

  • Introducing the Technology & Camera Creatives Meetup Group

    Introducing the Technology & Camera Creatives Meetup Group

    Lytro-Illum-tileIntroducing the Technology & Camera Creatives Group – a meetup group Kevin Owocki and I are co-founding here in Boulder, Colorado. The group was born from an obvious and increasingly present intersection of technology and photography in our everyday lives. We thought it was finally time to have a formal group in Boulder to discuss these intersections, and make the most of it.

    The Technology & Camera Creatives Group will meet on a monthly basis in Boulder, Colorado, USA and is open to anybody interesting in learning, teaching, networking, and enjoying the creative and technological fringes of photography, media, and technology.

    Our first meetup is this coming Wednesday – details are at Meetup.com. Stop by our next event, share what you’ve been working on, and get inspired! This week, I’ll be showcasing a bit of my photography taken in freezing temperatures in Antarctica, as well as will be discussing how lightfield photography works, and showcasing the latest Lytro Illum camera system.

  • Shooting in Rocky Mountain National Park for Geo Magazine, Germany

    Shooting in Rocky Mountain National Park for Geo Magazine, Germany

    Last month, I had the opportunity to work with international journalist Sandra Henderson shooting photos for a special report on Rocky Mountain National Park for Germany’s adventure/lifestyle magazine GEO. Here’s the result, a front page piece highlighting both my photography and Sandra’s reporting.

    GEO Germany, Sept 2014 – “ROCKY MOUNTAINS NATIONALPARK Wildnis für jedermann(Front Page PDF) (Article PDF)

    Rocky Mountains Nationalpark - Wildnis für jedermann - Reiseziele- GEO.de (20140925)

  • Trekking Across Israel as Staff for Israel Outdoors

    Trekking Across Israel as Staff for Israel Outdoors

    Israel Outdoors and BRI logoOver the past two weeks, I had the opportunity to work as a staff guide for Israel Outdoors during the Israel By Bike cultural trek, part of Taglit Birthright Israel. Years ago, I actually participated as a guest in this exact same trip, and it was an exciting honor to now have the opportunity to lead it. Israel Outdoors calls this itinerary “Israel By Bike“, but it’s a lot more than just that. Overall, staffing this trip was an incredible experience. I had two co-leaders, and a group of about 40 participants 18-22 years old. The group was great, and I sincerely enjoyed meeting everybody, and the opportunity to contribute my enthusiasm and views on the region as we traveled through the entire country. 

    During the trip, I took about 1400 photos, and edited down to a small set. View the full set on Flickr, as well as on my Instagram feed. I shot on my iPhone 5, and Sony RX-100ii cameras, allowing me to both post photos throughout the day, and shoot in raw for later editing. The full set is displayed here, and I’ll also be publishing a series of theme-specific posts in coming weeks.

    Photos, Full Screen

    Daily Itinerary

    Day 1

    • Arrival at Tel Aviv’s Ben Gurion Airport
    • Meet Israeli guide and group intros at Haas Promanade
    • Transfer to Jerusalem
    • Checkin to Hotel Accommodations -Jerusalem Gold Hotel

    Day 2

    • Visit to Davidson Center, Jerusalem
    • Tour of Old City Jerusalem Jewish Quarter
    • Visit to Kotel, reflection at Western Wall
    • Explore Mahane Yehuda market and lunch
    • Afternoon relaxation on Ben Yehuda Street
    • Overnight at Jerusalem Gold Hotel

    Day 3

    • Travel North
    • Scenic stop at Steia Maris Lookout and education about the Bahai Faith and Bahai Gardens
    • Visit to Arbel and Lunch
    • Checkin to hotel Savyonei Hagalil
    • Preparation for Shabbat and festive Shabbat Dinner

    Day 4

    • Shabbat learning opportunities
    • Hike to lookout point
    • Havdallah Ceremony and cultural activity
    • Overnight at Savyonei Hagalil

    Day 5

    • Hike up Mt. Meiron
    • Cultural tour of Tzfat, including dip in Mikve
    • Return to Hotel

    Day 6

    • Visit to Banias and lunch
    • Rafting the Jordan River and relaxing on the water
    • Camping in desert near Masada

    Day 7

    • Early morning wakeup in desert
    • Sunrise ascent of Mt. Masada
    • Breakfast at Masada Visitors Center
    • Floating in the Dead Sea
    • Camel Trekking with Bedouin
    • Sleeping at Negev Bedouin Camp and Campfire

    Day 8

    • Biking at Nahal ZIn
    • Visit to Sde Boker
    • Shvil Hasalat
    • Dinner at Blue Bay Hotel

    Day 9

    • Drive to Tel Aviv
    • Visit Rabin Square
    • Visit Independence Hall
    • Swim at Tel Aviv beach
    • Wrap up session and departure

    A selection of photos taken during the trip – many were posted on Instagram during the trip.

    Initial assembly of the group at JFK Airport – this was our initial meetup, and the first time my co-staffer Allie and I made group introductions.
    DSC03016-2014-05-19 TL352-Donenfeld-Full-WM

    Let’s jet!
    https://instagram.com/p/oMfw8puNzU/

    We connected through Zurich, Switzerland
    DSC03047-2014-05-19 TL352-Donenfeld-Full-WM

    Zurich Airport – great piece of architecture
    https://www.flickr.com/photos/jamfan2/14471771451/in/set-72157645237763596

    Ice Breakers at the Old City, Jerusalem
    DSC03113-2014-05-19 TL352-Donenfeld-Full-WM

    Tour of the Old City’s Jewish Quarter
    https://instagram.com/p/oQMZwPON7R/
    DSC03128-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03135-2014-05-19 TL352-Donenfeld-Full-WM
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    DSC03165-2014-05-19 TL352-Donenfeld-Full-WM

    Visit to the Kotel
    https://instagram.com/p/oQdGVzuN6z/
    https://instagram.com/p/oQdQP7ON66/
    DSC03179-2014-05-19 TL352-Donenfeld-Full-WM
    https://www.flickr.com/photos/jamfan2/14473847972/in/set-72157645237763596
    DSC03239-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03278-2014-05-19 TL352-Donenfeld-Full-WM

    Meeting our Israeli Soldiers
    https://instagram.com/p/oSrVWKuN_d/

    Mt. Hertzel and Yad Vashem – very heavy
    https://instagram.com/p/oTJ3pKON6E/
    https://instagram.com/p/oTNccJON-K/
    DSC03309-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03313-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03356-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03368-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03378-2014-05-19 TL352-Donenfeld-Full-WM

    Architecture of Yad Vashem
    DSC03387-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03393-2014-05-19 TL352-Donenfeld-Full-WM

    Driving North
    https://instagram.com/p/oVDIsmuNyG/

    Bahai Gardens
    https://instagram.com/p/oVRuNDuN8z/

    Hiking Mr. Meron
    DSC03444-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03455-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03473-2014-05-19 TL352-Donenfeld-Full-WM

    Shabbat
    https://instagram.com/p/oY4v5kuN1_/

    Hiking on Shabbat
    DSC03519-2014-05-19 TL352-Donenfeld-Full-WM

    Exploring Tzfat
    https://www.flickr.com/photos/jamfan2/14475170545/in/set-72157645237763596
    https://instagram.com/p/oa92LfON9z/
    DSC03609-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03577-2014-05-19 TL352-Donenfeld-Full-WM

    Candles in Tzfat
    DSC03625-2014-05-19 TL352-Donenfeld-Full-WM

    More exploring
    https://instagram.com/p/odBccTuN8l/
    https://instagram.com/p/odnktTuN1n/
    DSC03665-2014-05-19 TL352-Donenfeld-Full-WM

    The trip’s first bike trip
    https://instagram.com/p/odn1NPuN2C/
    DSC03731-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03761-2014-05-19 TL352-Donenfeld-Full-WM
    https://www.flickr.com/photos/jamfan2/14288544619/in/set-72157645237763596

    Sunrise hiking up Mt. Masda
    https://instagram.com/p/oe3aj3uN0h/
    DSC03825-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03855-2014-05-19 TL352-Donenfeld-Full-WM
    https://instagram.com/p/ofBVe3ONz2/
    IMG_4218-2014-05-19 TL352-Donenfeld-Full-WM

    Swimming in the Dead Sea
    DSC03864-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03871-2014-05-19 TL352-Donenfeld-Full-WM

    Camel Riding and Desert Living with the Bedouin
    https://instagram.com/p/ogPcXUuN6_/
    https://www.flickr.com/photos/jamfan2/14288594478/in/set-72157645237763596
    https://instagram.com/p/ogaOMYuN9g/
    https://instagram.com/p/ogfU4kuN4l/
    https://instagram.com/p/oh4BatuNzt/
    DSC03918-2014-05-19 TL352-Donenfeld-Full-WM
    DSC03933-2014-05-19 TL352-Donenfeld-Full-WM

    Second Biking Trip
    DSC04016-2014-05-19 TL352-Donenfeld-Full-WM
    DSC04023-2014-05-19 TL352-Donenfeld-Full-WM
    DSC04048-2014-05-19 TL352-Donenfeld-Full-WM
    IMG_4321-2014-05-19 TL352-Donenfeld-Full-WM

    Exploring the Market in Tel Aviv
    https://www.flickr.com/photos/jamfan2/14473996594/in/set-72157645237763596

    Final Sunset
    IMG_4334-2014-05-19 TL352-Donenfeld-Full-WM

  • On My Photo Editing Process….

    On My Photo Editing Process….

    Recently a blog reader wrote to me about my photos taken with the Sony RX-100, as well as my creative process. Here’s the exchange:

    Hi Jeffrey
     
    I have done quite a lot of looking at people's photos using the RX100 and I can say without exaggeration that yours are the best I have seen by far. I find it incredible that all the photos in this post 
    
    https://www.jeffreydonenfeld.com/blog/2013/07/traveling-through-australia-new-zealand-southeast-asia-and-japan-summer-2013/ were all taken with this camera.
     
    Great work and a pleasure to view, thanks for all your hard work posting these images.
     
    If I could ask one question, you state shoot RAW and then process, do you find a lot more dynamic range in the RAW shots and do you have any quick fix settings for to get you in the ball park or do you process each one according to taste?
     
    I took this camera to China and got some of my favourite photos with it but generally shot JPGs. Do you process each photo or just the keepers?
    
    -Simon

    2013-05-09 Trekking Northern Shan State - DSC00524-FullWM

    Simon –

    Thanks for checking out my pics, I’m glad you liked them. You might also be interested in these items –

    https://www.jeffreydonenfeld.com/blog/2013/11/photography-portfolio-adventure-travel-with-the-sony-rx-100/

    Shot on RX-100 attached to a lightweight carbon fiber tripod, used as a stabilizer – https://www.youtube.com/watch?v=P5lQ9DCXIbs

    In general I find I have better flexibility when shooting in RAW – both for the dynamic range, as well as range and purity of white balance. Additionally, for archival purposes I like to have as pure of a file as possible. In many cases my old images have been found by people wishing to purchase them or use them in media productions, and the ability to re-edit to suit a client’s needs has proven useful. Memory is cheap nowadays, and it’s trivially easy to carry a pocket of SD cards around and just keep ripping away full blast.

    I don’t apply any blanked develop settings, and usually quickly apply basic copyright info to the metadata on import (I use lightroom, latest version whatever that is). I then usually do one or two passes of stars to edit down to what I feel like is a good workable set, and then edit those. As I’m editing, I’ll sometimes eliminate another 1/4 of the photos that I don’t feel like I can get totally there with an edit. From the other 3/4 that get edited, I upload those to flickr, and then usually embed about 1/2 of them in the related blog post.

    Generally with coherent sets of photos (like for a given trip or event), I’ll try to keep the general feeling and editing style of each photo similar, but I do them each individually by hand. Occasionally I’ll cut/paste develop settings from one to another, usually if the images are very similar, or I’m showing a progression and want to focus on that instead of the distinctness of any one photo.

    Let me know if ya have any other questions, and send me a link to your photos from china!

    -Jeffrey

    2013-04-25 Ko Panyi - DSC07254-FullWM

  • The Inside Story of How Olympic Photographers Get Such Stunning Images

    The Inside Story of How Olympic Photographers Get Such Stunning Images

    A worthy read from Gizmodo’s Mario Aguilar, detailing the complex, and quick process the Associated Press and Getty go through to capture and distribute incredible photographs of the Olympics in record time. I’d love to shoot the Olympics… someday.

    It’s worth taking a moment to admire the hardcore Olympic photographers who wake up long before sunrise in some cases to ski out to their locations. The standard kit for a Getty photographer includes four camera bodies each outfitted with different lenses: 16-35mm f/2.8, 24-70mm f/2.8, 70-200mm f/2.8mm lens, f/300mm F2.8 lens. As you can see in the image below, Getty photogs travel with a mixture of Canon and Nikon cameras bodies, while the AP is an entirely Canon shop. Without fail, these photographers are using either Canon 1D’s or Nikon D4’s. Unlike most disciplines where you could get away with something other than flagship DSLRs, sports photography requires the 10-15 fps speed that you get at the top of the line.

    The second a photographer fires the shutter on a camera, the resulting image—a high quality JPEG, not RAW—is transported by ethernet to Getty’s central editing office in about 1.5 seconds. There, a team of three editors processes the photo. The first selects the best image and crops it for composition; the second editor color corrects; and the third adds metadata. The whole editing process is done in 30-40 seconds. Once the last editor is done, the image is blasted to the world. It takes about 90 seconds for the images to travel over redundant 100 Mbit/s dedicated lines to Getty’s data servers in the the United States.

    via The Inside Story of How Olympic Photographers Get Such Stunning Images.

  • InMyBag.Net – What’s In Photographer’s Daily Bags?

    InMyBag.Net – What’s In Photographer’s Daily Bags?

    My new website obsession is InMyBag.net, where photographers show off what’s in their photo kit bags. Endless entertainment.  I especially love seeing Aaron Bates’ Adventure Travel Photography Bag.

     InMyBag.net.

  • A Map Of The Most Photographed Places In The World. Let’s Go To The Least!

    A Map Of The Most Photographed Places In The World. Let’s Go To The Least!

    Based on geolocation data from Panorimio, here’s an excellent map of the most photographed places on earth, but together by Bluemoon.ee. While I’m sure a good portion of this map data corrolates with “population density of those who can afford cameras” as Reddit user kingleo1 points out, it’s still an interesting study of where people take pictures.

    Now, after looking at this map, my first thought is – I want to go find the least photographed places! Who’s up for a trip to Mongolia?

    From Bluemoon.ee: World map color-coded by level of touristiness, based on analysis of photos on Panoramio. Yellow indicates high touristiness, red medium touristiness, and blue low touristiness. Areas having no Panoramio photos at all are grey. The analysis takes into account how many photos and by how many authors there are in a given area.
    From Bluemoon.ee: World map color-coded by level of touristiness, based on analysis of photos on Panoramio. Yellow indicates high touristiness, red medium touristiness, and blue low touristiness. Areas having no Panoramio photos at all are grey. The analysis takes into account how many photos and by how many authors there are in a given area.

    Most photographed places in the world via @Earth_Pics – Imgur.

    And yes, this too.

  • Photography Portfolio: Adventure Travel with the Sony RX-100

    Photography Portfolio: Adventure Travel with the Sony RX-100

    During the past year, I spent 3.5 months living and working at the Amundsen-Scott South Pole Station, Antarctica, and then traveled solo through Southeast Asia. At my side consistently through my year of extreme adventure was the best pocket camera I’ve ever used, the Sony RX-100. Now that I’ve returned, here’s a quick portfolio of photos I’ve taken in the last year with the camera.

    Inquiries can be directed to me at Hello@JeffreyDonenfeld.com

    Related Media:

    rx100-cut-away

    My thoughts on shooting with the RX-100, taken from my SE Asia Trip Report:

    Traveling with the Sony RX100 turned out to be great. I had loved shooting with that camera at the south pole, and shooting with it while traveling was just as good. It’s very small – I can fit it in the pockets of my jeans. Yet, it still has full manual control of all camera functions, and just barely enough hand controls on the body to make it relatively easy to handle while shooting. Additionally, the other extremely important factor for me while shooting was the responsiveness – and the RX100 is great with that – controls feel snappy and responsive, and the feel of pushing the shutter button is tight. Not quite as instant and seamless as the controls on my SLR, but pretty darn close. When I’m shooting with my SLR, I know it well enough and it’s responsive enough that I can easily stop paying attention to using the camera, and devote full attention to shooting photos. With the Sony RX100, I’d say I can get about 75% of the way to fully forgetting about the camera. Not perfect, but pretty darn good for a compact.

    The RX100 takes great quality pictures, and I loved shooting on it. I shot mostly with it on Manual mode, taking RAW files. Occasionally i would have moments of laziness and shoot in Aperture priority or Program mode, but for the most part it was manual. Also, I assigned one of the settings memories to a low quality reference image mode – shooting JPG at a small picture size, full automatic, with a locked in high ISO of 3200. I used this mode for quickly shooting reference images, only for my use – pictures of descriptive signs, menus, receipts, business cards, maps, and other things I wanted to be able to refer back to while editing, but didn’t want to burn too much memory card space on. I didn’t delete any photos.

    Antarctica

    C-17 Globemaster III from New Zealand to Antarctica

    2012-11-12 CHC to McMurdo - DSC01554-1600-80

    Flying over the Transantarctic Mountains
    https://www.flickr.com/photos/jamfan2/8184154641/in/set-72157632973563889

    Taking in the view in an LC-130 Hercules over the South Pole, Antarctica
    https://www.flickr.com/photos/jamfan2/8197937055/in/set-72157632973563889

    Deploying Neutrino Sensors for the Askaryan Radio Array, South Pole
    https://www.flickr.com/photos/jamfan2/8395485013/in/set-72157632973563889

    Fuel Tanker docked at McMurdo Station, Antarctica
    https://www.flickr.com/photos/jamfan2/8496076961/in/set-72157632973563889

    Southeast Asia

    Angkor Wat, Indonesia
    https://www.flickr.com/photos/jamfan2/9526686932/in/set-72157636058352725

    Mandalay, Myanmar
    https://www.flickr.com/photos/jamfan2/9352420275/in/set-72157636058352725

    Shan State, Myanmar
    https://www.flickr.com/photos/jamfan2/9346984065/in/set-72157636058352725

    Bangkok, Thailand
    https://www.flickr.com/photos/jamfan2/9319176288/in/set-72157636058352725

    Borobudur, Indonesia
    https://www.flickr.com/photos/jamfan2/8632364978/in/set-72157636058352725

    Komodo, Indonesia
    https://www.flickr.com/photos/jamfan2/8617423123/in/set-72157636058352725

    Mt. Cook, New Zealand
    https://www.flickr.com/photos/jamfan2/8517837012/in/set-72157636058352725

    Arthurs Pass, New Zealand
    https://www.flickr.com/photos/jamfan2/8505223623/in/set-72157636058352725

    Kyoto, Japan
    https://www.flickr.com/photos/jamfan2/9524485345/in/set-72157635097383901

    Tonsai, Thailand
    https://www.flickr.com/photos/jamfan2/8778887432/in/set-72157633589699628

  • Hiking to Hope Lake…

    Hiking to Hope Lake…

    Today the siblings and I took a great hike to Hope Lake…. a view from midway up..

    Hiking to Hope Lake, the sunset view was amazing...

  • Photography Field Guide: 10 Essential Shots for Covering a Weather Disaster

    Photography Field Guide: 10 Essential Shots for Covering a Weather Disaster

    What good is a freakishly large hurricane bearing down on NYC if you can’t photograph it? Now, thanks to Scientific American’s Compound Eye Science Photography blog, we have a concise guide to the key shots for covering the hurricane, or any disaster.

    It’s certainly an interesting explanation of each shot, and goes the illustrate the importance of getting a variety of photos in order the tell a unified story. I’m often thinking about this when taking photos on my own adventures, so it’s nice to see Compound Eye lay it all out.

    The 10 Key Shots for covering a disaster:

    1. The Satellite Overview
    2. The Rising Tide
    3. The Concerned Politician
    4. The Oddly Empty
    5. The Intrepid Journalist
    6. The Sandbag
    7. The Obligatory Wind Shot
    8. The “Are you insane?”
    9. The #instacane
    10. The Wreckage

    A Field Guide to Hurricane Photography | Compound Eye, Scientific American Blog Network.

  • Cross Country Skiing In My Backyard…

    After last night’s beautiful snow in Boulder, I awoke to find Boulderites cross country skiing around North Boulder Park, right next to my house. So very nice in the snow!
    Cross Country skiers in my back yard...

  • Political Photo Ops

    Political Photo Ops

    Today a great article from the Washington Post on political photo ops.

    Generally, photographers embedded on a campaign don’t see the logistics that go into these moments; they’re led off the bus when it’s time to start shooting, said David Ake, Washington photo chief for the Associated Press. But they’ll scramble for the right shot, hovering by the diner table with a family, for example, if they’re with a baby-kissing pol. “What you hope for is a genuine moment,” he said.

    There are big photo ops (Dubya’s “Mission Accomplished” aircraft carrier trip) and small (the guy who bearhugged Obama, “totally spontaneous as far as we know,” Ake said). There are ambiguous photo ops (was the photog who captured Michelle Obama’s Target shopping trip tipped off?). There are photo ops that misfire ( John Kerry ordering a cheesesteak with Swiss, Sarah Palin upstaged by a turkey decapitation).

    Political photo ops: From Reagan to Paul Ryan, the game every candidate plays – The Reliable Source – The Washington Post.

  • Google’s Influence on Photography – Street View and Beyond

    Google’s Influence on Photography – Street View and Beyond

    Following up on yesterday’s post on Google Street View in the Grand Canyon, here’s a great article from LightBox. It goes over the incredible impact of Google’s Street View experiement, and what it’s done for mapping and photography. From the article:

    In the catalogue to the show Exposed: Voyeurism, Surveillance, and the Camera since 1870, editor and curator Sandra Phillips compared the biblical story about elders spying on Susannah to present day, saying: “Today, however they would use cell phones to grab a picture of a young woman in a compromised position and send it to friends, having located her garden through Google Earth. Human hunger for seeing the forbidden has not changed. The technologies to facilitate it have.”

    And she’s right—this technology has been adapted quickly by artists and devoured by the art world. Doug Rickard used Google Street View to see the back roads of the nation in a series called A New American Picture, which was featured at New York City’s MoMA last year and is currently on view at Yossi Milo Gallery. Geoff Dyer wrote extensively in the Guardian about Rickard, saying: “Any doubts as to the artistic – rather than ethical or conceptual – merits of this new way of working were definitively settled by Rickard’s pictures. It was William Eggleston who coined the phrase “photographing democratically” but Rickard has used Google’s indiscriminate omniscience to radically extend this enterprise – technologically, politically and aesthetically.”

    Street View and Beyond: Google’s Influence on Photography – LightBox.

  • Shooting for Joios at Saks Wine Tasting

    Today I took a few pictures at Saks Fifth Ave in NYC for Joios, a new app. A few shots.. 

    Joios is a food & drink community and process, built to empower exploration and discovery.

    We connect people: eaters, drinkers, producers, vendors, experts and amateurs. They’re drawn by the opportunity to find exciting flavors collaboratively, at fun and educational events.

    We help tasters better understand their preferences. Our system – truly blind tastings, a user-friendly app, a rigorous peer matching process – strips away bias.

    We match people (“TastePeers”) and make reliable recommendations.

    https://twitter.com/Jeffzilla/status/252516635288670209

    2012-09-30 Saks Wine Tasting - IMG_0230.jpg

     

     

     

  • Good Evening from The Highline, NYC

    Good Evening from The Highline, NYC

    A nice evening stroll with longtime friend Emily. Shot with panorama mode on my new Sony RX100.

    2012-09-17 Highline with EAS - DSC03520.jpg

  • Photos – Labor Day Weekend in Telluride

    Photos – Labor Day Weekend in Telluride

    This past Labor Day weekend was spend back home in Telluride, Colorado with Parents and Sister. Here are a few choice photos from the weekend – taken with my brand new Sony RX100 Digital Camera. The full review of the camera is coming soon.

    2012-08-30 Telluride Film Festival - IMG_4530
    2012-08-30 Telluride Film Festival - DSC00243
    2012-08-30 Telluride Film Festival - DSC00306
    2012-08-30 Telluride Film Festival - DSC00359
    2012-08-30 Telluride Film Festival - DSC00478
    2012-08-30 Telluride Film Festival - DSC00521

    2012-08-30 Telluride Film Festival - IMG_4516

  • Japanese Mountaineering Photos from Chris White

    This one has been in my queue for quite some time, so here it is – blogger Chris White is an expedition photographer who has published a ton of his amazing photos on his blog. Take a look at a few of the more amazing shots…

    Selection from “Life on the North Ridge“:

    Surveying the Kitakama ridge, Yari-ga-take
    Nishi-dake and the Ni-no-mata valley, as seen from the entrance to the Bimbozawa
    Clouds billow from the Ura-Ginza ridge
    Yari at sunset

    i, cjw ~.::.~ Hiking, Climbing & Mountaineering mostly in Japan.

    Additionally, here’s Chris’ excellent photography guide, in which he goes over all of his common gear and techniques: Photography Brain Dump